![]() ![]() Includes additional language support for Central and Eastern European languages, Greek, Cyrillic plus Vietnamese. The free test version Absolut reduced features the mere alphabet only.Ībsolut Standard as well as Pro include the OpenType features ligatures, stylistic alternates, historical forms (for long s and capital german double S), tabular figures and superscript. Replaces the standard numerals by negative circled numbers. Replaces the standard numerals by circled numbers. Replaces the »round« form of u by the »broken« alternate form. Replaces the »round« form of g by the »two storied« alternate form. Replaces the »round« form of a by the »two storied« alternate form. Replaces the numeral 0 by the slashed variant Replaces s with ”long s“ and SS i.e., SZ with capital-ß. Replaces the glyph combinations 1/2, 1/3, 1/4 etc by the according fractions. Replaces the normal numbers by means of tabular numbers with identical sign width. Replaces the letter pairs ch, ck, ff, fi, fl, ff, fj, ft, th, tt, tz, ffi, ffl with the respective letter combination. Replaces the letters a, g, u in each case with the alternative variant. Just try it.Īdditional functions can be activated and deactivated as OpenType-Features: This makes these versions particularly interesting. Many letters have their own form in italics. ![]() You read that right: there are four of them. Plus, a, g and u can be selected in alternative forms. The numerals are available in normal form and for lining figures. Absolut includes a capital-ß and many ligatures. Gentle bowls on the stroke ends and on some inclinations make the sentence structure more attractive so that Absolut is also suitable for text type. The historical burden surrounding type has been discarded. The characters have been reduced down to the basic idea of the letters. The forms of Absolut are unconditionally modern. But here's what's new: a text type which dares to take this pioneer step into the modern age. We are already accustomed to these styles in advertising. Absolut does without such "complications." The break with tradition is stretched even further: The character styles have been changed, especially noticeable on t, but r and f require a double take, too. The character styles have removed themselves as far as possible from the original written form - and it's high time the type in our font keeps up with the changing cultural situations… Absolut is a modern sans serif without compromise.įor example, n in Absolut is formed with just one stroke whereas in typefaces developed from writing, two strokes are united to form one character. A superfamily with countless variants available as a variable font. Reduced to the essentials - pure typeface: modern, uncompromising, prosaic, aesthetical. sans serif modern variable font ultra bold ultra condensed expanded backslanted stylistic alternates Greek Cyrillic Central & Eastern European Vietnamese circled numbers slashed zero Absolut is the modern typeface for the new millenium.It has extended language support, as well as a broad number of OpenType features, such as case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, old-style, tabular and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies, and symbols.IngoFont Absolut - the modern sans serif typeface for the 3 rd millenium. Both Oblique and Italic styles were hand drawn to get sharp, consistent and fine letter shapes. ![]() Montreux Grotesk™ superfamily consists of 11 weights (from Hairline to Black, including Outline) with corresponding oblique styles, that gives total of 132 styles. Montreux contains also the Outline fonts of each style, giving a total of 12 Outline styles (6 upright and 6 italic). Jazz – the most playful and rounded style, shines when used in lifestyle design – such as food/drink, cosmetics, tourism, and fashion Given its friendly nature, it can also be used for advertising products for the youth.Īll these 3 subfamilies have their soft versions with rounded corners, giving the fonts more gentle and organic feel. Grotesk – dynamic style created for modern branding purposes, for industries rooted in technology, new media, architecture, magazine publishing & fashion.Ĭlassic – more neutral, paying homage to the famous and beloved Swiss design typefaces, such as Haas Grotesk or Helvetica Montreux Classic is successful in most commercial areas such as finance, banking, health, IT or legal environments. The whole family consist of 3 main subfamilies: ![]()
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